Since forming in Aberdeen, Washington in the eighties, the Melvins have been famous for being different. But their latest outing, Electroretard (Man’s Ruin Records), is perhaps their most experimental and diverse yet. Each of the songs sounds so unique, it is as if they are written and performed by different artists. The good news is that each tune is a winner, although none conform to typical song composition structure. Electroretard’s sound encompasses several genres of music, from punk to rock n’ roll to industrial. It is a true cornucopia of music.
The angst-filled anthem “Youth of America” has a punk feel, and includes a spectacular guitar performance about midway through the song. “Revolve,” on the other hand, is a good ‘ol rock n’ roll tune. The vocals on this track are reminiscent of Rob Zombie, and the song finishes with a crushing guitar solo. “Missing” is a bass-heavy, slow, and simple song that for one reason or another reminded me of the great Stone Temple Pilots. With marching drums and haunting vocals, “Lovely Butterflies” has a very strong Marilyn Manson sound. Electroretard even has a cover of Pink Floyd‘s “Interstellar Overdrive.” This song starts out with a classic feel good vibe, then dives into an eerie, horror movie-sounding arrangement. At one point during this track, it sounds as if several instruments have been swept up in a tornado and are crashing against one another. Finally, this epic song, which is about ten minutes in length, ends by returning back to that feel good sound.
Electroretard is a record that plays with the listener’s emotions. It shifts moods like an untreated manic-depressive, but is as bright and creative as a genius. The Melvins will never come close to achieving the respect, admiration, and commercial success of their Aberdeen counterparts, Nirvana. However, they have proven to the world that they have staying power, and they will probably be around to amuse and enlighten fans for many years to come.
– Rikk eLhaj
Rikk@Unearthed.com
